| Opera |
Op. 35 OL-OL,
in 3 scenes after Leonid Andreyev (1924–25)
Final version in 5 scenes (1930) (65')
Original text (manuscript) in Russian (prepared
by the composer) Published Version in German by
R. Hoffmann; in French by Andre G. Block (manuscript
version in English)
Cast: Eudoxia Antonovna, mezzo-soprano/Olga Nikolaievna
(Ol-Ol), soprano/Anna Ivanovna, mezzo-soprano/Nicholas
Gloukovsev, tenor/ Onoufry Nikolaievitch, bass-baritone/
Mischa, tenor/Grigori Ivanovitch, basso/ A Student,
baritone/A Policeman, baritone/ Chorus
3222/4231/per/hp/strings
Universal |
Op. 45 DIE
HOCHZEIT DER SOBEIDE (The Wedding of Sobeide),
in 3 scenes after Hugo von Hofmannsthal (1928-30)
(100') Text in German (prepared by the composer)
Cast: A Rich Merchant (Chorab), baritone/Sobeide,
soprano/ Bachtiar, baritone/ Sobeide’s Mother, mezzo-soprano/
Schalnassar, bass/ Ganem, tenor/Gülistane, alto/
Slave, tenor/ A Camel Driver, bass/A Gardener, tenor/Gardener’s
Wife, soprano/Bahram, bass/ A Debtor of Schalnassar,
tenor/Ballet
2222/4231/perc/hp/strings
Universal |
WoO DIE
HEIRAT (The Marriage), in 2 scenes after
a comedy by Gogol (65')
Music: First scene by Modest Mussorgsky (1863)
(30')
Second scene by Alexander Tcherepnin (1934-35) (35')
The entire work was orchestrated by A. Tcherepnin
Text in Russian and German. (German translation
by Heinrich Burkard)
Cast: Agafja Tichonovna, soprano/Arina Panteleimononva,
mezzo-soprano/Fjokla Ivanovna, alto/Dunjaschka,
soprano/ Podkolessin, baritone/Kotschkarev, tenor/Stefan,
bass.
2222/4221/perc/hp/strings
Universal |
|
Op. 72 THE NYMPH AND
THE FARMER, in 2 scenes (1952) (45')
Based on an ancient Chinese legend. Reorchestration
of cantata Pan Kéou (1945) Original text
in French by Siao Yu; German version by Ernst
Roth; English version by Joseph Machlis
Cast: The Nymph, soprano/The Farmer, tenor/Narrator
2121/2200/per/hp pf/strings
Boosey & Hawkes
<top>
|
| BALLET |
Op. 32 AJANTA’S
FRESCOES (1923) (30')
Ballet from the story of Buddha by A. Tcherepnin,
after an idea of Anna Pavlova and danced by her;
choreography by Ivan Cliustin
4 scenes
2232/4231/perc/hp pf/strings
Universal |
Op. 37/3b TRAINING
(1922) (10') (included as No. 3 in THREE
PIECES FOR CHAMBER ORCHESTRA, Op. 37-see ORCHESTRA)
Scenario by Georges Isarlov; choreography by Hedy
Pfundmayr
1 scene
1010/2200/perc/strings
Universal |
Op. 37/3c TRAINING
(see PIANO) Piano reduction
of above by composer (1930) (10')
Universal |
Op. 54 DER
FAHREND SCHÜLER MIT DEM TEUFELBANNEN (The
Wandering Student Who Exorcised the Devil) (1937)
(30')
Ballet after Hans Sachs
1 scene
original orchestration lost; present orchestration
completed 1964
3343/4331/perc/hp/strings
Universal (piano version) |
Op. 55 TREPAK
(1937) (40')
Ballet by Serge Sudeikin and A. Tcherepnin; choreography
by Mikhail Mordkin
3 scenes
2222/4231/perc/hp pf/strings
Universal |
WoO LA
LEGENDE DE RAZINE (The Legend of Razin) (1940-41)
(50')
Original title STENKA
RAZINE
Ballet based on the legend of Stenka Razine by A.
Tcherepnin; choreography by A. Eltzov
3 scenes
2222/4231/perc/hp pf/strings. Also available in
reduced orchestra and piano solo version
Belaieff |
WoO LA
FOIRE DE SOROTCHINSKI (Sorochinski Fair)
(1940)
(ca. 100') Music originally by Modest Moussorgsky;
finished and orchestrated by Nicolai Tcherepnin;
Ballet version by Alexander Tcherepnin
Manuscript (for information, ask Belaieff) |
WoO DIONYS
ballet mythologique (1940) (ca. 17')
Incorporated into Symphony No. 3, mvts. 1 &
4
Manuscript |
WoO ATLANTIDE
ballet with French text (1943)
Incorporated into Symphony No. 3, mvt. 2
Manuscript missing |
WoO LE
VENDEUR DES PAPILLONS (The Butterfly Salesman)
(ca. 1945) Ballet for Boris Knieaseff, Paris. Incorporated
into Symphony No. 3, mvt. 3
Manuscript (for information, ask Belaieff) |
WoO LE
DEJEUNER SUR L’HERBE (Picnic on the Grass)
(1945–46) (30') Ballet based on the music of Joseph
Lanner, orchestrated and freely adapted by A Tcherepnin;
choreography by Roland Petit
Manuscript (for information, ask Belaieff) |
WoO CHOTA
ROSTAVELI (1945–46) (3 hours)
Ballet in 4 acts;choreography by Serge Lifar. Music
by three composers:
Acts 1 & 4: Arthur Honegger (1 hour)
2: Alexander Tcherepnin (1 hour)
3: Tibor Harsanyi (1 hour)
Manuscript (for information, ask Belaieff)
For composer’s suite for 2 pianos and percussion
see PIANO 4 HANDS
For composer’s orchestral suite (GEORGIANA, Op.
92) see ORCHESTRA |
Op. 79 LA
FEMME ET SON OMBRE (The Woman and her Shadow)
(1948) (30') Ballet after a NOH drama by Paul Claudel;
choreography by Janine Charrat
2121/2110/timp/hp/strings
AMP
For composer’s orchestral suite (Op. 79a) see ORCHESTRA |
Op. 87b LE
GOUFFRE (The Abyss) (1949) (35')
Ballet by Vladimir Dokudovsky after a story by Leonid
Andreyev Cast: 4 male dancers/ 3 female dancers
2222/4231/perc/hp pf/strings
C. F. Peters
Three scenes included in composer’s Suite, Op. 87-see
ORCHESTRA |
|
WoO LA COLLINE DES
FANTÔMES (The Hill of Phantoms) (1953)
(26') Ballet after a story by Tran Van Tung
3333/4331/perc/hp pf/strings
Manuscript (for information, ask Belaieff)
<top>
|
| ORCHESTRA |
Op. 36a MUSICA SACRA for
string orchestra (1973) (10')
Arranged by the composer and Kurt Redel from String
Quartet No. 1 (1922)
Schott
For string quartet original see DUO,
TRIO, QUARTET etc. |
Op. 37 3 STÜCKE
FUR KAMMERORCHESTER (Three Pieces for Chamber Orchestra)
(1921-25) (29')
1) Overture (8')
0010/22 cornets 00/strings
New Version: 2222/2210/perc/strings(86442)
2) Mystère (11')
Violoncello Solo/1010/22 cornets 00/perc/strings
For composer’s cello-piano version see CELLO
SOLO, CELLO AND PIANO etc.
3) Pour un entrainment de boxe (Training)
(10')
1010/22 cornets 00/perc/strings
New Version: 2222/2210/perc/strings (86442) (1964)
for composer’s piano version see PIANO
Universal |
Op. 41 MAGNA MATER (1926-27)
(10')
2222/4231/perc/timp/strings
Universal |
Op. 42 SYMPHONY
NO. 1 (1927) (25')
2222/4231/perc/hp/strings
Durand
For edition of Scherzo alone see PERCUSSION |
Op. 45a FESTMUSIK (Celebration
Music) (1930) (10') Suite (Overture and Ballet)
from the Opera DIE HOCHZEIT
DER SOBEIDE
2222/4231/perc/hp/strings
Universal |
Op. 50 DANCES RUSSES (Russian
Dances) (1933) (10')
2222/4231/perc/hp/strings
Universal |
WoO SUITE POPULAIRE RUSSE
for Small Orchestra (1941) (6')
1111/1110/perc (4 players)/strings
Bessel |
Op. 67 ROMANTIC OVERTURE (1942)
(9')
3222/4231/perc/hp pf/strings
Schirmer |
WoO POLKA (1944) (2')
Version for Orchestra (1956)
2222/4231/perc timp/strings
Belaieff
For original version see PIANO
|
Op. 69 EVOCATION (Enfance
de Saint Nino) (The Childhood of Saint Nino)
(1944) (10')
3333/4330/perc/hp/strings
Belaieff |
Op. 77 SYMPHONY NO. 2 (1946-51)
(27')
3333/4331/perc/pf cel hp/strings
AMP |
Op. 79a JAPANESE SUITE (1948)
(15') (From the Ballet LA
FEMME ET SON OMBRE -see BALLET)
2121/2110/perc/hp/strings
AMP |
Op. 80 SYMPHONIC MARCH (1951)
(6')
3222/4331/perc/pf cel hp/strings
MCA-For Band version see BAND |
Op. 83 SYMPHONY NO. 3 (1951)
(28') Incorporating ballets DIONYS
(1940, mvts. 1-4); ATLANTIDE
(1943,mvt. 2); VENDEUR
DES PAPILLONS (ca. 1945, mvt. 3)
3333/4331/perc/hp pf/strings
Belaieff |
Op. 87 SUITE FOR ORCHESTRA
(1953) (18')
2222/4231/perc (3-5 players)/hp pf/strings
C. F. Peters
First three movements from Ballet LE
GOUFFRE, Op. 87b-see BALLET
For original 2-piano version of finale (Op. 87a)
see PIANO 4 HANDS |
Op. 90 DIVERTIMENTO (1955–57)
(25')
3343/4331/perc/hp/strings
Boosey & Hawkes |
|
Op. 91 SYMPHONY NO. 4 (1957) (25') (Received
Glinka Prize)
3343/4331/timp/hp/strings
Boosey & Hawkes
|
Op. 92 GEORGIANA, Suite for
Orchestra (1946/1958–59) (18') (From ballet CHOTA
ROSTAVELI)
2222/4231/perc/strings
Eulenburg |
Op. 93 SYMPHONISCHES GEBET
(Symphonic Prayer) (1959) (9')
3343/4331/perc/hp/strings
Belaieff |
Op. 97 SERENADE FOR STRINGS
(1964) (16')
(86642)
Eulenburg-Kunzelmann |
|
Op. 106 RUSSIAN SKETCHES, for youth orchestra
(1971)
3222/4231/timp/hp/perc/strings
MCA
For band version see BAND
<top>
|
| SOLO
INSTRUMENTS & ORCHESTRA |
| Piano: |
Op. 5 BAGATELLES (1958) (12')
2222/2200/perc/strings Heugel-Leduc
Version for PIANO AND STRINGS (1960)
Heugel-Leduc
For original version see PIANO
|
Op. 12 CONCERTO NO. 1 (1919–20)
(16')
2222/4231/timp/strings
Belaieff |
|
Op. 26 CONCERTO NO. 2 (1922-23, reorchestrated
1950) (18')
2222/4231/perc/strings
Heugel-Leduc
Version for smaller orchestra (original)
2222/22 cornets 00/perc./strings
|
|
Op. 48 CONCERTO NO. 3 (1931-32) (18')
2222/4231/perc/strings
Schott
|
|
Op. 57 SUITE GEORGIENNE (GEORGIAN SUITE)for
Piano and Strings (1938) (20')
Eschig
For composer’s piano transcription of 2nd movement
see PIANO
|
|
Op. 78 CONCERTO NO. 4 (FANTASY) (1947) (27')
2222/4231/perc/hp/strings
Belaieff
|
|
Op. 96 CONCERTO NO. 5 (1963) (21')
3333/4331/perc/hp/strings
Belaieff
Version for Piano and Small Orchestra (21')
3232/3200/perc/hp/strings
Belaieff
|
|
Op. 99 CONCERTO NO. 6 (1965) (24')
3222/4231/perc/hp/strings
Belaieff
|
| Other
instruments: |
|
Op. 25 GEORGIAN RHAPSODY for Cello and Orchestra
(1922) (16')
3222/2200/perc/strings
Durand
For composer’s cello-piano arrangement see SOLO
CELLO, CELLO AND PIANO etc.
|
|
WoO ROMANCE for Violin and Small Orchestra
(1922) (3')
Simrock
|
|
Op. 33 CONCERTO DA CAMERA for Flute, Violin,
and Chamber Orchestra (1924) (13')
(Schott Prize, 1925)
0000/202 cornets 00/timp/strings (86442)
Schott
For composer’s flute-violin-piano version see
WOODWINDS etc.
For composer’s piano transcription of 2nd movement
see PIANO
|
|
Op. 37/2 MYSTÈRE for Cello and Chamber Orchestra
(1925) (11')
(included in Three Pieces for Chamber Orchestra—see
ORCHESTRA)
1010/202 cornets 00/perc/strings
Universal For composer’s cello-piano arrangement
see SOLO CELLO, CELLO AND PIANO
etc.
|
Op. 37/3 TRAINING version for
Oboe and Bassoon with Chamber Orchestra, by the
composer
(included in Three Pieces for Chamber Orchestra-see
ORCHESTRA; see also BALLET.
For composer’s piano transcription, see BALLET
and PIANO) |
Op. 47 CONCERTINO
for Violin, Cello, Piano and String Orchestra (1930-31)
(16')
Universal
Original Version by the composer for 12 solo strings
and piano
(4 violins, 2 violas, 2 violas da gamba, 2 cellos,
bass) (1930)
Version by the composer for clarinet, bassoon, piano
and strings (1944)
Definitive Version as TRIPLE CONCERTINO for Violin,
Cello, Piano and Orchestra (1965) (16')
1111/1110/perc/strings
Universal
For Version as Piano trio, see DUO,
TRIO, QUARTET, etc. |
|
Op. 58 SONATINA for Timpani and Orchestra (1954)
(7')
Arranged from Sonatina for Timpani and Piano (1939)
2222/4231/perc/strings
Boosey & Hawkes
For composer’s Timpani and Band version see BAND;
for original version with piano see PERCUSSION
|
|
Op. 86 CONCERTO for Harmonica and Orchestra
(1953) (28')
2222/4231/perc/hp/strings
AMP
For version with piano see FOR
DIVERS INSTRUMENTS
<top>
|
| VOICE
(OR NARRATOR) & ORCHESTRA |
Op. 73 LES DOUZE
(The Twelve), for narrator and small orchestra (1945)
(16')
Original text in Russian by Alexander Blok; French
by G. Arnout; German by J. V. Guenther; English
by Peter Ustinov
0000/0000/perc/hp pf/strings (or string quintet)
Version for narrator and piano
Belaieff |
Op. 74 NATIVITY
PLAY, Cantata for 2 Sopranos, Tenor, Bass, Chorus
(optional), String Orchestra and Percussion (1945)
(30')
Text in English, French, German and Russian
Version for soloists, chorus, string orchestra and
percussion
Version for voice and piano
Belaieff |
Op. 89 THE LOST
FLUTE, for narrator and orchestra (1954) (42')
2121/2210/perc/strings
Abridged versions for narrator and orchestra (1955)
(22'); (18')
Abridged versions for narrator, piano, percussion
(1955) (22'); (18')
Belaieff
For composer’s piano arrangement of introduction
as PASTORAL see PIANO |
Op. 98 VOM SPASS
UND ERNST (Of Things Light and Earnest),
Folksong Cantata for Contralto or Bass and String
Orchestra (1964) (21')
Russian text version by the composer; German by
Robert Marscher; English by Joseph Machlis
Gerig-Breitkopf & Hartel |
WoO VIVRE D’AMOUR
(Hymn of Love)
Lyric Cantata for Soloists, Chorus and Orchestra,
based on the sayings of St. Therese de l’Infant
Jesus (1942) (6') Text in English and French
Belaieff |
WoO THE
STORY OF IVAN THE FOOL, Music for the Radio-Play
by Douglas Claverdon after a Fable by Tolstoy, for
narrator, vocal soloists, chorus, orchestra and
electronic sound (1968) (45') (Received Italia Prize)
Manuscript |
|
WoO BAPTISM CANTATA for Children’s Chorus,
Solo Voice, Recorders, Flutes, Strings, Organ,
and Optional Participation of the Congregation
(1972) (3') (for all baptismal religions) Text
by Irene Vogel Sulzer
Manuscript
<top>
|
| BAND |
WoO FANFARE
for Brass Ensemble and Percussion (1961) (6')
3 trpt/4 hn/3 trb/1 tuba/ percussion
Boosey & Hawkes |
|
Op. 58 SONATINA for Timpani and Band (1963)
(7')
Arranged from Sonatina for Timpani and Piano (1939)
Boosey & Hawkes
|
|
Op. 80 SYMPHONIC MARCH
Version for band (1954) (6')
MCA
|
|
Op. 106 RUSSIAN SKETCHES
Version for band (1977)
2142 4 sax 4 cornets/4231/hp
MCA
<top>
|
| PIANO |
|
Op. posth. SUNNY DAY (Forgotten Bagatelle) (1915)
(under 1')
Presser
|
|
Op. 1 TOCCATA NO. 1 (1921) (6')
Belaieff
|
|
Op. 2/1 NOCTURNE NO. 1 (1919) (4')
Belaieff
|
|
Op. 2/2 DANCE NO. 1 (1919) (4')
Belaieff
|
|
Op. 3 SCHERZO (1917) (3')
Durand
|
|
Op. 4 SONATINE ROMANTIQUE (1918) (13')
Durand
|
|
Op. 5 BAGATELLES (10 pieces) (1912–18) (12')
Revised and edited by composer (1958)
Heugel-Leduc
For composer’s piano-orchestra and piano-string
versions see PIANO AND
ORCHESTRA
|
|
WoO OLD ST. PETERSBURG (Waltz) (ca. 1917) (5')
Manuscript
|
|
WoO BALLADE (1917) (ca. 9')
Manuscript
|
|
WoO EPISODES (Priskaski) (Fleas) (1912-20)
(10') 12 Simple Pieces for Piano
Heugel-Leduc
|
|
Op. 6 PETITE SUITE (1918-19) (10')
Durand
|
|
Op. 7 PIÈCES SANS TITRES (8 Pieces Without
Title) (1915-17) (9')
Durand
|
|
Op. 8/1 NOCTURNE NO. 2 (1919) (2')
Durand
|
|
Op. 8/2 DANCE NO. 2 (1919) (3')
Durand
|
|
Op. 9 8 PRELUDES (1919-20) (8')
Heugel-Leduc
|
|
Op. 10 FEUILLES LIBRES (Loose Pages) (1920)
(9')
Durand
|
|
Op. 11 ARABESQUES (1920-21) (5')
Heugel-Leduc
|
|
Op. 13 9 INVENTIONS (1920-21) (8')
Eschig
|
|
WoO ÉTUDE DE CONCERT (Concert Etude) (1920)
( 3')
Hamelle-Leduc
|
|
Op. 18 10 ÉTUDES (1915-20) (25')
Heugel-Leduc
|
|
Op. 19 2 NOVELETTES (192l-22) (10' 30")
Heugel-Leduc
|
|
Op. 20 TOCCATA NO. 2 (1922) (7')
Simrock
|
|
Op. 21 6 ÉTUDES DE TRAVAIL (6 Practice Studies)
(1922-23) (12')
Heugel-Leduc
|
|
Op. 22 SONATA NO. 1 (1918-19) (16')
Heugel-Leduc
|
|
Op. 23 4 NOSTALGIC PRELUDES (1922) (7')
Heugel-Leduc
|
|
Op. 24 4 PRELUDES (1922-23) (4')
Durand
For composer’s two-flute arrangement of Op. 24/3
see WOODWIND etc.
|
|
Op. posth. CANON (1923-24) (2')
Transcription for piano by the composer of CANON
for String Trio, on which mvt. 2 of Cello Sonata
No. 2, Op. 30/1 is based)
Bardic
For cello version see CELLO SOLO
etc.; for trio version see DUO,
TRIO etc.
|
|
Op. 27 SLAVIC TRANSCRIPTIONS (1924) (13')
No. 1 Les Batelier du Volga (The Volga Boatmen)
No. 2 Chanson pour la Cherie (Song for the Beloved)
No. 3 Chanson: Granderussienne (The Great Russian
People)
(Later title: Russian Song)
No. 4 Le long du Volga (The Banks of Volga)
No. 5 Chanson Tchèque (Czech Song)
Heugel-Leduc
|
|
Op. 28 CANZONA (1924) (5')
Simrock
|
|
Op. 31 4 ROMANCES (1924) (7')
Universal
|
|
Op. 33a INTERMEZZO (arranged from 2nd mvt.
of CONCERTO DA CAMERA) (1926)
Schott (in THE NEW PIANO BOOK Coll/2, 1953)
For original version see SOLO
INSTRUMENTS AND ORCHESTRA
For composer’s flute-violin-piano version see
WOODWIND etc.
|
Op. 36b HISTOIRE
DE LA PETITE THERÈSE DE L'ENFANT JESUS (The Story
of Little Therese of Infant Jesus) (13 short pieces)
(12')
Durand |
Op. 37/3c POUR
UN ENTRAINEMENT DE BOXE (For a Boxer’s Training)
arr. by the composer from his ballet TRAINING, Op.
37/3) (1930) (10')
Bardic
For original and revised orchestral versions see
BALLET; ORCHESTRA;
SOLO INSTRUMENTS AND ORCHESTRA |
|
Op. 39 MESSAGE (1926) (10')
Universal
|
|
Op. 39b VOEUX (Wishes) (1926) (8')
Durand
|
|
WoO POUR LA PAIX EN ORIENT (For Peace in the
Orient) (1926) (2')
Originally intended as one of the VOEUX
Manuscript
|
|
Op. posth. TANZ (Dance) (1928) (2')
Arranged by composer from 2nd mvt. of QUINTET,
Op. 44
Bardic
|
|
Op. 46 ENTRETIENS (Conversation) (1930) (ca.
13')
Durand
|
WoO PIANO METHOD
ON PENTATONIC SCALE (1934-35) (19') (Chinese Translation
by Dr. Hsiao Yu Mei)
Shanghai Commercial Press |
Op. 51 ÉTUDE DU
PIANO SUR LA GAMME PENTATONIQUE (Piano Study on
the Pentatonic Scale) (1934-35)
No. 1 Première Suite (1st Suite) (1934) (3')
No. 2 Deuxième Suite (2nd Suite) (1934) (4'
30")
No. 3 Bagatelles chinoises (Chinese Bagatelles)
(1935) (11' 30")
Heugel-Leduc |
|
Op. 52 FIVE CONCERT ÉTUDES (1934-36) (16')
No. 1 Shadow Play
No. 2 The Lute
No. 3 Homage to China
No. 4 Punch and Judy
No. 5 Chant
Schott
|
|
Op. 53 TECHNICAL EXERCISES ON THE 5 NOTE SCALE
(1934-36)
C. F. Peters
|
|
WoO AUTOUR DES MONTAGNES RUSSES (Riding the
Roller Coaster) (1937) (4')
Eschig (in the EXPOSITION 1937 Album)
|
|
Op. 56 7 ETUDES (1938) (9' 30")
Belaieff
|
WoO DIALOGUE (1952)
(4') arranged by the composer from SUITE GEORGIENNE,
Op. 57, 2nd mvt.
For original piano-string version see PIANO
AND ORCHESTRA |
Op. 65 POUR PETITS
ET GRANDS (For Young and Old) (1940) (25') 12 pieces
of medium difficulty
Durand |
|
Op. 66 CHANT ET REFRAIN (Song and Refrain)
(1940) (4' 30")
Durand
|
|
WoO BADINAGE (1941) (4')
Lyche
|
|
WoO POLKA (1944) (2')
Belaieff
For composer’s orchestral version see ORCHESTRA
|
|
WoO RONDO À LA RUSSE (1946) (3')
Gerig-Breitkopf & Hartel
|
|
Op. 75 LE MONDE EN VITRINE (Showcase) (1946)
(15')
Boosey and Hawkes
|
|
WoO LA QUATRIÈME (The Fourth Republic) (1948-49)
(3')
Heugel-Leduc
|
|
Op. 81 EXPRESSIONS (1951) (15')
Belaieff
|
|
Op. 82 SONGS WITHOUT WORDS (1949-53) (11')
No. 1 Elegy
No. 2 Rondel
No. 3 Enigma
No. 4 The Juggler
No. 5 Hymn to Our Lady
C. F. Peters
|
|
Op. 85 12 PRELUDES (1952-53) (25')
Belaieff
|
|
Op. 88 8 PIECES FOR PIANO (1954-55) (13')
No. 1 Meditation
No. 2 Intermezzo
No. 3 Reverie
No. 4 Impromptu
No. 5 Invocation
No. 6 The Chase
No. 7 Etude
No. 8 Burlesque
Theo. Presser
|
|
WoO PASTORAL (1955) Arranged by composer from
THE LOST FLUTE (INTRODUCTION)
Belaieff
For original version and composer’s arrangement
for piano and percussion see VOICE
(NARRATOR) AND ORCHESTRA
|
WoO 17 PIANO PIECES
FOR BEGINNERS (1954-57) (in CONTEMPORARY PIANO
LITERATURE selected by Frances Clark)
Summy-Birchard, Warner Bros. |
|
Op. 94 PIANO SONATA NO. 2 (1951)
Boosey & Hawkes
|
|
WoO ASCENSION (1969) (1') (in album NOUVEAUX
MUSICIENS, Vol. 3)
Choudens
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WoO TWO PIECES FOR CHILDREN (1976) (1')
No. 1 Indian Trail
No. 2 Celebration
(in album PIANO COMPOSITIONS, U.S.A.)
Willis
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Op. 109 OPIVOCHKI (i. e., “Little Dregs”) (1975–77) (36') A miscellany of 39 short piano pieces in various styles, some based on sketches for works in other media (e. g., a “Merry ‘Pickwick’ Symphony,” the projected Symphony No. 5 and the Flute Duo, Op. 108).
Manuscript
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| TRANSCRIPTIONS
FOR PIANO |
18th CENTURY RUSSIAN
COMPOSERS (Bortniansky, Degtiaraff, Berezovsky)
Music originally written for church choir. Arranged
for piano solo by A. Tcherepnin (1920)
Belaieff |
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DOMENICO ZIPOLI: ALL’OFFERTORIO
Originally for organ. Arranged for piano by A.
Tcherepnin (1920)
Ricordi
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RIMSKY-KORSAKOV:
CHANT HINDOU (Hindu Song) from the Opera SADKO.
Arranged for piano by A. Tcherepnin (1922)
Belaieff |
12 FAVORITE PIECES
FOR CHILDREN FROM THE RUSSIAN MASTERS Selected and
arranged for piano by A. Tcherepnin (1937)
Belaieff |
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ANTON RUBINSTEIN: NOCTURNE IN F MAJOR,
Op. 44, No. 5 (Free adaptation, 1920)
Durand
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| PIANO
4 HANDS FOR 1 PIANO OR 2 PIANOS |
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Op. 87b RONDO (1952) (3' 30") for 2 pianos
C. F. Peters
For orchestral version as Finale of Suite, Op.
87 see ORCHESTRA
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WoO EXPLORING THE PIANO (1958) (6')
12 Duets for Beginner and Teacher-Pianist
C. F. Peters
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Op. posth. SUITE
DE BALLET (BALLET SUITE) (1946) (ca. 20')
Arranged for 2 pianos and percussion by the composer
after the second act of the ballet CHOTA
ROSTAVELI (1945-46)-see also BALLET
Belaieff |
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Op. 12 CONCERTO NO. 1 (1919-20) (16') Arranged
for 2 pianos by the composer
Belaieff
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Op. 26 CONCERTO NO. 2 (1923) (18') Arranged
for 2 pianos by the composer
Heugel-Leduc
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Op. 48 CONCERTO NO. 3 (1931-32) (17') Arranged
for 2 pianos by the composer
Schott
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Op. 57 SUITE GEORGIENNE
(GEORGIAN SUITE) (1938) (20') Arranged for 2 pianos
by the composer
Version for 1 piano, 4 hands, arranged by the composer
Eschig
For solo-piano version of 2nd movement see PIANO
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Op. 78 CONCERTO NO. 4 (FANTASY) (1947) (27')
Arranged for 2 pianos by the composer
Belaieff
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Op. 96 CONCERTO NO. 5 (1963) (21') Arranged
for 2 pianos by the composer
Belaieff
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Op. 99 CONCERTO NO. 6 (1965) (24') Arranged
for 2 pianos by the composer
Belaieff
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| VIOLIN
AND PIANO |
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Op. 11/5 ARABESQUE for Violin and Piano (1920-21)
(2')
Heugel-Leduc
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Op. 14 SONATA for Violin and Piano (1921-22)
(13')
Durand
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WoO ROMANCE for Violin and Piano (1922) (3')
Simrock
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Op. 43 ELEGY for Violin and Piano (1929) (3')
Durand
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Op. 70 MOUVEMENT PERPETUEL for Violin and Piano
(1944) (9')
Durand
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| CELLO
SOLO, CELLO & PIANO, CELLO & PERCUSSION
OR STRINGS |
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Op. 76 SUITE for Cello Solo (1946) (6')
Durand
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WoO ODE for Cello and Piano (1919) (2')
Durand
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Op. 29 SONATA No. 1 for Cello and Piano (1924)
(11')
Durand
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Op. 30/1 SONATA No. 2 for Cello and Piano (1924)
(10')
Universal
(Incorporating Canon for String Trio-see DUET,
TRIO etc.; for composer’s piano transcription
of Canon see PIANO)
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Op. 30/2 SONATA No. 3 for Cello and Piano (1919-26)
(9')
Universal
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Op. 38 12 PRELUDES (VIOLONCELLE BIEN TEMPÉRÉ)
(12 Preludes, The Well-Tempered Cello) for
Cello and Piano (1925-26) (25')
Durand
Nos. 2 & 4 arranged by composer for cello
and percussion;
Nos. 3, 9, 10 arranged by composer for cello and
strings
Durand
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Op. 84 SONGS AND DANCES for Cello and Piano
(1953) (17')
Belaieff
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Op. 63 SONATINE
SPORTIVE (1939) (6')
Version for Cello & Piano by the composer
Leduc
For original alto saxophone or bassoon version see
WOODWINDS OR BRASS INSTRUMENTS
etc. |
Op. 25 RHAPSODIE
GEORGIENNE for Cello and Piano (1922) (16') Arranged
by the composer from the same work for Cello &
Orchestra-see SOLO INSTRUMENTS
AND ORCHESTRA
Durand |
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Op. 37/2 MYSTÈRE for Cello and Piano (1925)
(11')
Arranged by the composer from the same work for
Cello & Chamber Orchestra-see ORCHESTRA;
SOLO INSTRUMENTS AND ORCHESTRA
Universal
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| VIOLA
DA GAMBA |
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Op. 101 SONATA DA CHIESA for Viola da Gamba
and Organ (1966) (15')
Version for Viola da Gamba, String Quintet, Flute
& Cembalo
Simrock
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| DUO,
TRIO, QUARTET, AND QUINTET WITH STRINGS |
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Op. 49 DUO for Violin and Cello (1932) (12')
Bote and Bock
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Op. posth. CANON for String Trio (1923-24) (2')
Bardic
Incorporated into Cello Sonata No. 2, Op. 30/1-see
CELLO SOLO, CELLO AND PIANO
etc.;
for composer’s piano transcription see PIANO
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Op. 34 TRIO for Violin, Cello and Piano (1925)
(8')
Durand
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Op. 47 TRIO CONCERTANTE (1960) (16')
Composer’s arrangement of Concertino for Violin,
Cello, Piano and Strings (1930)-see SOLO
INSTRUMENTS AND ORCHESTRA
Universal
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WoO TRIO for Flute, Violin and Cello (1960)
(10')
Amadeus
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Op. 36 STRING QUARTET NO. 1 (LOVE OFFERING
OF ST. THERESA) (1922) (10')
Schott
For string orchestra arrangement by the composer
and Kurt Redel (MUSICA SACRA, Op. 36a) see ORCHESTRA
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Op. 40 STRING QUARTET NO. 2 (1926) (12')
Durand
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Op. 44 QUINTET for Piano & Strings (1927)
(15')
Universal
For piano arrangement of 2nd movement as TANZ
see PIANO
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| WOODWIND
OR BRASS INSTRUMENTS WITH OR WITHOUT PIANO |
Op. posth. STUDY
for Flute and Piano (Former title: “VOCALISE-ÉTUDE”
for voice) (1927) (1')
Belaieff
For original see VOICE AND PIANO
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Op. posth. SONATA IN ONE MOVEMENT for clarinet
and piano (1939) (6')
Schott
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Op. 63 SONATINE SPORTIVE for alto saxophone
or bassoon and piano (1939) (6')
Leduc
For composer’s cello-piano arrangement see
CELLO SOLO, CELLO AND PIANO
etc.
|
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Op. 64 ANDANTE for tuba or bass trombone and
piano (1939) (6')
Belaieff
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Op. 108 (posth.) DUO for 2 flutes (1977) (12')
Belaieff
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Op. 24/3 (posth.) PRELUDE for 2 flutes (1971)
(1')
Arranged from 4 PRELUDES for piano by the composer
Belaieff
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Op. 59 TRIO for 3 flutes (1939) (6')
Belaieff
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Op. 60 QUARTET for 4 flutes (1939) (6')
Belaieff
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Op. 61 TRIO for 3 trumpets or clarinets (1939)
(6')
Marks
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Op. 62 MARCH for 3 trumpets in Bb (1939) (2')
Marks
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Op. 105 BRASS QUINTET (1970) (9')
C. F. Peters
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Op. 107 WOODWIND QUINTET (1976) (5')
C. F. Peters
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Op. 33 CONCERTO DA CAMERA (1924) (12')
Arranged for Flute, Violin and Piano by the composer
Schott
For original see SOLO
INSTRUMENTS AND ORCHESTRA
For composer’s piano arrangement of 2nd movement
see PIANO
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| MISCELLANEOUS
INSTRUMENTS |
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WoO PROCESSIONAL AND RECESSIONAL for Organ
(1962)
(9') C. F. Peters
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Op. 100 SUITE for Harpsichord (1966) (8')
C. F. Peters
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WoO PARTITA for Accordion (1961) (6')
Pagani
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WoO TZIGANE for Accordion (1966) (2' 30")
Pietro Deiro
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WoO INVENTION for Accordion (1967) (3'
30")
Pagani
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WoO 4 CAPRICES DIATONIQUES for Harp or Celtic
Harp (1973) (4')
Belaieff
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WoO VALSE ORIENTALE for Piano, Flute, Xylophone,
and Strings (ca. 1943) (ca. 6')
Manuscript
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Op. 86 CONCERTO for Harmonica and Orchestra
(1953) (28')
Arranged for harmonica and piano by the composer
AMP
For original see SOLO
INSTRUMENTS AND ORCHESTRA
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| PERCUSSION |
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Op. 58 SONATINA for Timpani and Piano (1939)
(6')
Boosey & Hawkes
For composer’s timpani and Orchestra version see
SOLO INSTRUMENTS AND ORCHESTRA;
for composer’s timpani and band version see BAND
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Op. 38 PRELUDES
(1925-26) From THE WELL-TEMPERED CELLO, Op. 38
Arranged by the composer: Nos. 2 & 4 for cello
and percussion
Durand
For original version see CELLO
SOLO, CELLO AND PIANO etc. |
|
(Op. 42) SCHERZO for Percussion Ensemble from
SYMPHONY NO. 1, Op. 42 (1927) (3')-see also ORCHESTRA
Theo. Presser
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| CHORAL
WORKS |
Op. 102 MASS for
3 equal voices (a cappella) (2 Sopranos &
Alto) (1966) (5' 30") (English)
C. F. Peters |
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Op. 103 6 LITURGICAL CHANTS for Mixed Chorus
(a cappella) (1967)
1) Cherubim Song (4' 20")
2) O My God (4' 15")
3) Light So Tender (3' 15")
4) Prayer To The Holy Spirit (1' 15")
5) Transfiguration (2' 45")
6) Alleluia (3' 15")
C. F. Peters
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Op. 104 4 RUSSIAN FOLKSONGS for Mixed Chorus
(a cappella) (1967)
1) Hills (3' 20")
2) Shali-Vali (1' 30")
3) Complaint (4' 10")
4) Nonsense Song (1' 05")
C. F. Peters
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| VOICE
AND PIANO |
WoO A CONTENTED
MAN (Turgenev) for Bass and Piano (1918) (2') (Russian,
German, English)
Belaieff |
Op. 15 6 MÉLODIES
(Gorodezki) for Soprano or Tenor and Piano (1921)
(10') (French by Andre G. Block)
Durand |
Op. 16 8 MELODIES
(Gorodezki) for Soprano or Tenor and Piano (1918–22)
(13') (French by Andre G. Block)
Heugel-Leduc |
Op. 17 HALTES (Stops)
(Gorodezki) for Soprano or Tenor and piano (1918–22)
(13') (French by Guillot de Saix)
Heugel-Leduc |
Op. posth. STUDIE
(Study) for Soprano or Tenor and Piano (1927) (1')
(Former title: VOCALISE-ÉTUDE)
Belaieff
For flute-piano version see WOODWINDS
etc. |
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Op. 68 2 MELODIES (Tran Van Tung) for Soprano
or Tenor and Piano (1946) (5')
Durand
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WoO 2 SONGS for Soprano or Tenor and Piano
(Margaret Tuck) (1945) (2')
Belaieff
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Op. 71 7 SONGS
ON CHINESE POEMS for Soprano or Tenor and Piano
(1945) (12') (Chinese, Russian, English)
Belaieff |
Op. 95 CYCLE OF
7 CHINESE FOLKSONGS for Bass or Other Voices and
Piano (Chinese) (English by Robert Mok) (1962) (15')
Belaieff |
WoO L’ÉCOLIER
PARESSEUX (The Lazy Scholar) Folksong for Voice
and Piano (ca. 1947) (2') (French and English by
C.K. Sie)
Manuscript |
WoO J’AVAIS
MAL... (I was sick...) Folksong for Voice and Piano(ca.
1947) (2') (French by C.K. Sie)
Manuscript |
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WoO EIN KLEINES LIED (A Little Song) for Soprano
or Tenor and Piano (Marie von Ebner-Eschenbach)
(German) (ca. 1970) (1')
Manuscript
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| MUSIC
FOR THEATRE |
|
KING LEAR (Shakespeare) (1950)
Manuscript
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BLOOD WEDDING (Garcia-Lorca) (1951)
Manuscript
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FENELON (1951)
Manuscript
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| MUSIC
FOR FILM AND TELEVISION |
|
THE UNKNOWN INDIA (1936)
Éclair Journal
|
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SWAN LAKE (1948)
Éclair Journal
|
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THE CADETS’ BALL (1948)
Éclair Journal
|
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CRISIS IN SUEZ (1961)
CBS 20th Century TV
|
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CATCH THE GRAF SPEE (1962)
CBS 20th Century TV
|
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RETREAT FROM ARNHEIM (1962)
CBS 20th Century TV
|
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ATTACK ON SINGAPORE (1963)
CBS 20th Century TV
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| REVISIONS/EDITIONS
OF PIANO WORKS |
|
J. BECKEL: THE BATTLE OF GETTYSBURG (Revised
1939) (9')
Hinrichsen-C.F. Peters
|
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GLINKA: PIECES FOR PIANO (Revised 1941)
Durand
|
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BORODIN: SCHERZO (Revised 1954)
Hinrichsen-C. F. Peters
|
BORODIN, CUI, LIADOV,
RIMSKY-KORSAKOV, LISZT, STCHERBACHEV, “PARAPHRASEN
ÜBER EIN KINDERTHEMA”
(Paraphrases on a Children’s Theme [i. e., “Chopsticks”])
For Piano duet, 4 hands (revised 1955)
Belaieff |
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TCHAIKOVSKY: SONATA IN G MAJOR, Op. 37 (New edition,
revised and corrected, 1959)
Rahter
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|
REVISIONS/EDITIONS
OF CHORAL WORKS |
|
GLINKA: CHERUMBIM SONG (revised 1954)
Summy-Birchard, Warner Bros.
|
BORTNIANSKY: CHERUBIM
SONG NO. 7 in D Major (Revised 1954)
Summy-Birchard, Warner Bros. ss |
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TCHAIKOVSKY: CHERUBIM SONG (Revised 1954)
Summy-Birchard, Warner Bros.
|
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HANDEL: ALLELUIA from JUDAS MACCABAEUS (Revised
1954)
Summy-Birchard, Warner Bros.
|
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MOZART: ADORAMUS TE, CHRISTE (Revised 1954)
Summy-Birchard, Warner Bros.
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| PUBLICATIONS
BY A. TCHEREPNIN |
“Collection A. Tcherepnin”:
Modern Japanese Piano, Vocal and Orchestral Music,
Modern Chinese Piano Music
Distributors: Shawnee Press
Universal |
| BOOKS
BY A. TCHEREPNIN |
|
RUSSISCHE MUSIK-ANTHOLOGIE. 80 Beispiele
vom Ursprung bis zum Beginn des 19. Jahrhunderts
(Anthology of Russian Music. 80 Examples from
the Origins to Beginning of the 19th Century)
(Written in 1937) Published in 1965
Belaieff
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